For the longest time I've wanted to do an entire series of studies focusing on trees - just trees... single trees, groups of trees, macro views of bark, tree trunks, tree roots, various leaves and how the light falls on groups of leaves. Some trees seem to shimmer in the light while others have a distinctly light absorbing quality. I've always loved the various shapes, colors, and sizes but I can't say I understand them very well, at least from the perspective of an artist. Being primarily interested in botanical subjects in general, I've felt for some time that I need to do a serious study of trees and get to know a variety of species.
So I've just started my tree studies. Here are a few. I have been painting in the mornings before work in Palo Alto with a couple of really talented and passionate coworkers - kindred spirits in the brotherhood of paint. I've also been painting on Saturday mornings, early, and usually in the late evening on Saturdays on my nightly walk.
These days my medium of choice for plein air is pastel, a medium I've fallen in love with over and over again. Painting with pastels feels so natural, like playing with crayons or colored pencils until I get something close to what I want. I can't say I ever feel that way with oil. There is also something really neat about seeing a giant box of pastel colors together that makes me feel good. It feels like harmony.
Hilly bank in Palo Alto, pastel on toned paper. I think I spent about 3 hours on this.
A little tree, maybe an aspen, in the parking lot where I work, Disney Interactive. Pastel, about 1.5 hours.
Tree on the bank of Lake Merced in the late afternoon, just off the side of the path near the parking lot on Sloat. Pastel, about 2 hours.
This was a majestic evergreen variety that I was looking up at from the parking lot at work. Not the best perspective to be painting at. I tried to compensate for the foreshortening but I'm not sure it worked. I also painted this on sanded pastel paper. I don't like sanded paper at all. It just grabs up a ton of the pastel pigment and is difficult to blend soft edges.
Pastel, about 2 hours